Halloween
2000
Running
Time: 72 min.
Directed by Brad Ellis
Written by John Moore
Based on the screenplay by John Carpenter
and Debra Hill
Starring: Lauren Chapman, Joey Watson, Joanna
Castle, Natalie Jones, Jeremy Perkins, Alex
Castle and John Moore
Reviewed:
01/18/05
By
Lee Chase IV
It’s
been just over four years since I first
saw “Halloween 2000,” and I
must admit that it has held up rather well.
I have probably seen the movie six times
since its original premiere, but I think
the version that has been cut for its DVD
release is certainly the one to view. The
picture has been trimmed from 79 minutes
to 72, and it’s difficult to even
notice anything has been removed. The result
is a much tighter movie that often flows
better than the film it is paying tribute
to.
The key to the success of “Halloween
2000” is the fact that it is an homage
and not a remake. For the first part of
the picture, a lot of it feels familiar,
but once we get to the point where Annie
(Joanna Castle) gets into her car, the surprises
begin. Screenwriter John Moore seemed to
like the idea of making the characters experience
the deaths of their friends, which is something
the original movie chose not to do, but
it works better because it is a much scarier
idea.
The other really big strength of Moore’s
script is a heavier emphasis on sexuality
in the film. Yes, it was there in Carpenter’s
film, but the new version adds some creepier
and more blatantly comic moments to drive
the message home. Look at Deputy Brackett,
who is played by Moore himself. This guy
is married and in his 30’s, but still
prefers to have sex with teenage girls.
In the movie, he has a fling with Linda
(Natalie Jones), so he is to be punished
for his sexual promiscuity.
If there is a genuine weakness about the
2000 version, it involves a heavier focus
on the loneliness of Laurie Strode (Lauren
Chapman). I like the subtlety of how Carpenter’s
film handles this, while the new movie has
her making comments and even writing about
it on a sheet of paper during class. We
know early on how pathetic of a character
Laurie is, so it is not something that needs
to be reconfirmed over and over. This was
one of Lauren Chapman’s first performances,
and she does a good job showing Laurie’s
isolation with her facial expressions.
The new cut of the film deletes mainly scenes
of dialogue, and this feels like a wise
decision. This is a movie that works due
to tone and atmosphere, so having extended
scenes of people standing around talking
really just slows things down. The director,
Brad Ellis, proved with this project how
effectively he can create a creepy atmosphere
and use it to build suspense. The sequence
where Brackett and Linda are killed is one
of the best he has ever shot, as it shows
Ellis’s ability to display real horror
without kinetic editing.
I have seen “Halloween 2000”
more than any of the other Old School films,
and I still think it is the one that holds
up the best. This was a tricky project to
do well, since it is paying tribute to a
classic. Even though Joey Watson does not
have the realistic intensity of Donald Pleasance
and the child actors react to Michael Myers
like they would a scary movie, the performances
compliment the material. Acting in a horror
picture looks extremely difficult, so the
cast, who are mostly amateurs, deserve recognition
for trying to do what so many would shy
away from. If there is a performance that
should be applauded, it is Andrew Johnson’s
work as Michael Myers. Everything he does
in the movie is physical, but watch how
carefully he moves. Getting each head turn
and arm raise just right is probably a lot
harder than any us might think.
“Halloween 2000” hits DVD in
an impressive 2-disc package. The glossy
cover insert is just gorgeous looking, and
the DVD menus compliment the tone of the
film to perfection. The transfer is manageable,
if a bit disappointing at times. The filmmakers
preserved the original 1:78.1 aspect ratio,
which was enhanced to fit my widescreen
television. Colors stand out nicely, particularly
during the climax when Laurie is hiding
in the closet. Nighttime scenes are a bit
grainy, a setback that is at times distracting,
but does not take away from the overall
experience (since most of the nighttime
scenes are lit). The sound is impressive,
mainly because Carpenter’s classic
score never overpowers the dialogue.
Disc 1 comes with a feature length audio
commentary track including Brad Ellis, Lauren
Chapman, Joey Watson and John Moore. This
is easily the most entertaining track recorded
so far for an Old School DVD. John Moore
is hilarious here, making me wonder why
doesn’t write comedy. There is a lot
of recollection on the shooting experience,
all of which is fun to hear, but what stands
out most besides the jokes are the real
moments of insight (there’s a reason
Brackett was made a pervert for this version).
Disc 2 contains three deleted scenes, two
of which I had forgotten even existed because
they were in the first cut of the film.
The optional commentary by Brad Ellis is
particularly good during the second scene,
which was re-shot, since Ellis shares a
funny story about how to get rid of bad
actors. A lengthy outtake reel is one of
the best I’ve encountered, especially
for the moments when John Moore can’t
get his lines right.
The biggest treat of the second disc is
a wonderful forty plus minute documentary
about the making of the film. It contains
interviews with most of the cast and crew
on their experiences, good and bad, which
gives a real sense of why this was such
a memorable shoot. This feature really brings
out director Brad Ellis’s love and
dedication to “Halloween,” and
seeing him speak here only enhances appreciation
for the new version. It’s also interesting
to hear actor Joey Watson talk about being
arrested before shooting started, and see
how it affected him throughout the project.
Wait until you see what Matt Weatherly is
wearing during his scenes.
A noteworthy photo gallery and the film’s
trailer round out this praiseworthy package,
Old School’s best DVD release to date.
Film: B+
Extras: A+
Overall Grade: A-